Analog Recorders: Otari MTR-90 II, MX-5050; Ampex ATR-102

Digital System: Pro Tools HD 10.3, HD2 Accel; (2) Avid HD I/O 16x16; UAD Octo 

Computer: G5 2.8 GHz 8 core, 10 GB RAM

Control Surface: (3) Avid Artist Mix

Monitors: Barefoot Sound MicroMain27

Summing Mixers: Shadow Hills Equinox; API 8200A

Microphone Amplifiers: (4) Shadow Hills Quad Gama
                                       (16 channels - all with Iron Mod and custom output attenuators)

Equalizers: (16) API 550A; (2) Mercury EQ-P1

Compressors: Shadow Hills Mastering Compressor; (2) Universal Audio 1176LN, LA-2A; (2) dbx 160VU, (2) 160XT; Chandler Limited TG1 Abbey Road Special Edition

Microphones: (2) AKG C414 B-XLS, 414 B-ULS, D12; AEA R88; (3) Audix D2, (2) D4, i5; Sennheiser MD421II, (2) Vintage 421s; (4) Shure SM-57, 57 w/ transformerless mod, 545-SD, SM-58, SM-7, Beta58, Green Bullet

Amplification: Top Hat Emplexador; Orange Rockerverb 100; Vox AC30; Fender ‘73 Bassman 100, Blues Junior; Ampeg V4, SVT Vintage Reissue; Mesa/Boogie Bass 400+; Bob Perrey Custom '55 Tweed Deluxe; Acoustic 150; Vintage Leslie 145 Speaker Cabinet; Various Marshall, Mesa and Ampeg cabinets; Mackie P.A. System

Instruments: Gibson '97 Les Paul Standard, '77 Les Paul Custom; Gretsch G6117 (w/ P-90s); Martin D-15 Acoustic; Fender American Deluxe Jazz Bass, ’73 P-Bass; DW Maple Drum Kit (kick, snare, 2 toms and hardware -- NO CYMBALS); World Max Black Hawg Snare; Vintage Hammond M3 Organ with Leslie 145 Speaker Cabinet; Kawai Upright Piano; Kentucky Mandolin; Universal Accordion; Tamborine, Guiro, Musical Saw, Various Shakers

Effects:  Fulltone Tube Tape Echo, OCD; MXR Distortion +, Modified O.D., Blue Box, Phase 90; Dunlop Crybaby; Electro-Harmonix Holy Grail Plus, Big Muff (black); Boss Tremelo, Super Chorus, Super Octave; Way Huge Swollen Pickle, Green Rhino; SPF Greenline