Analog Recorders: Otari MTR-90 II, MX-5050; Ampex ATR-102

Console: API 1608

Digital System: Pro Tools HD 10.3, HD2 Accel; (2) Avid HD I/O 16x16; UAD Octo 

Computer: G5 2.8 GHz 8 core, 10 GB RAM

Monitors: Barefoot Sound MicroMain27

Microphone Amplifiers: (16) API 212; Universal Audio Solo 610

Equalizers: (16) API 550A, (4) 550b, (4) 215; (2) Mercury EQ-P1

Compressors: Shadow Hills Mastering Compressor; (2) Universal Audio 1176LN, LA-2A; (2) dbx 160VU, (2) 160XT, (2) 902 De-esser; Chandler Limited TG1 Abbey Road Special Edition

Microphones: (2) AKG C414 TL-II, (3) 414 B-ULS, D12; AEA R88; (3) Audix D2, (2) D4; Sennheiser MD421II, (3) Vintage 421s; (4) Shure SM-57, (2) 545-SD, SM-58, SM-7, Beta58, Green Bullet

Amplification: Top Hat Emplexador; Orange Rockerverb 100; Vox AC30; Fender ‘73 Bassman 100, Blues Junior; Ampeg V4, SVT Vintage Reissue; Mesa/Boogie Bass 400+; Bob Perrey Custom '55 Tweed Deluxe; Acoustic 150; Vintage Leslie 145 Speaker Cabinet; Various Marshall, Mesa and Ampeg cabinets; Mackie P.A. System

Instruments: Gibson '97 Les Paul Standard, '77 Les Paul Custom; Martin D-15 Acoustic; Fender ’78 P-Bass; DW Maple Drum Kit (kick, snare, 2 toms and hardware -- NO CYMBALS); World Max Black Hawg Snare; Vintage Hammond M3 Organ with Leslie 145 Speaker Cabinet; Kawai Upright Piano; Kentucky Mandolin; Universal Accordion; Tamborine, Guiro, Musical Saw, Various Shakers

Effects:  Fulltone Tube Tape Echo, OCD; Roland Space Echo RE-201; MXR Blue Box, Phase 90; Dunlop Crybaby; Electro-Harmonix Holy Grail Plus, Big Muff (black), Freeze; Boss Tremelo, Super Chorus, Super Octave; Way Huge Swollen Pickle, Green Rhino; SPF Greenline