Recorders: Otari MTR-90 II, MX-5050; Pro Tools HD3, (2) 192 I/O
Computer: Mac G5, Dual 2.3 GHz, 5.5GB RAM
Control Surface: (3) Avid Artist Mix
Monitors: Barefoot Sound MicroMain27
Summing Mixers: Shadow Hills Equinox; API 8200A
Microphone Amplifiers: (4) Shadow Hills Quad Gama
Equalizers: (8) API 550A; (2) Mercury EQ-P1
Compressors: Shadow Hills Mastering Compressor, Dual Vandergraph; (2) Universal Audio LA-2A, (2) 1176LN; (2) dbx 160xt
Microphones: (2) AKG C414 B-XLS, 414 B-ULS, D12; AEA R88; Rode NTK; (3) Audix D2, (2) D4, i5; Sennheiser MD421II, (2) vintage 421s; (3) Shure SM-57, 57 w/ transformerless mod, 545SD, SM-58, SM-7, Beta52, Beta58, Green Bullet
Amplification: Top Hat Emplexador; Orange Rockerverb 100; Mesa/Boogie Bass 400+; Fender ‘73 Bassman 100, Blues Junior; Bob Perrey Custom '55 Tweed Deluxe; ’74 Ampeg V4, SVT Vintage Reissue; Acoustic 150; Various Marshall, Mesa and Ampeg cabinets; Mackie P.A. System
Instruments: Gibson Les Paul Standard, Gretsch G6117 (w/ P90s), Martin D-15 Acoustic; Fender American Deluxe Jazz Bass, ’73 P-Bass; 4 Piece Maple DW Drum Kit (kick, snare, 2 toms and hardware); World Max Black Hawg Snare; Vintage Hammond M3 Organ; 1907 Cable-Nelson Upright Grand Piano; Kentucky Mandolin; Universal Accordion; Tamborine, Guiro, Musical Saw, Various Shakers, Various Effects Pedals