The Atomic Garden (Jack Shirley) and Antisleep Audio (Scott Evans) are two private analog/digital hybrid studios located in Oakland, CA.  Our aim is to provide access to high end recording studios for the most affordable price possible.

SERVICES

Our average projects are done at this studio from start to finish.  This typically includes tracking and mixing.  We are also available to track and/or mix separately or in other studios.

MASTERING

Historically (and preferably), Jack has mastered his own records. Mastering is not currently available for records that Jack has not mixed.

Mastering is a process that takes a finished mix and optimizes it to sound as good as possible on as many different playback systems as possible.  It's the finishing touch on the recording process.  Depending on the quality of the mix, mastering can mean anything from a lot of heavy processing to a simple seal of approval.  

Also included in this step is sequencing (putting the songs in order and solidifying their transitions) and preparation for different mediums (vinyl, cd, tape, download, etc.).

TAPE COST

Tape sounds wonderful, but it is expensive.  One reel of 2" tape (about 30 minutes of recording time) costs around $400.  Most projects require one or two reels.  This cost is one of the more prohibitive aspects of analog recording.  A band with a $1,200 recording budget doesn't want to drop $800 just for the tape. 

Fortunately, we’ve got you covered.  Most often, your audio is transferred into the computer, so the tape can be erased and used again on a different project.  And tape can take several passes before it starts to degrade.  That is why using a reel of 2" tape is FREE here.  And since each reel only gets used a handful times, everyone basically gets good tape for no cost.

STUDIO DESIGN

This 4,500 sq. ft. studio facility houses two nearly identical control rooms, each opening into a single large tracking room. Both control rooms were designed using true RFZ principles, resulting in exceptional accuracy and imaging characteristics.

The tracking room features fully adjustable acoustics with easily alternated absorptive or diffusive swinging wall panels.  Additionally, there are three isolation booths for each control room.

The studio design was done by the Wes Lachot Design Group.  Acoustical build-out and oversight was performed by Oakland native Will Rutherford and crew, with guidance and assistance from Tony Brett.  Brett Acoustics was also responsible for the fabrication of all acoustical treatments and studio furniture.